Portland Center Stage's
NOW HEAR THIS
invites you to a concert reading of
The Bullet Round
by Steven Drukman
Featuring the talents of
Paul Glazier, Tom Moorman, Chris Murray,
Nasir Najieb, Amy Newman & Michael Fisher Welsh
April 19, 2008
Noon to approximately 2 pm
@ Portland Center Stage
128 NW Eleventh Avenue (between Couch & Davis)
on the Main Stage
Admission is free, but space is limited
Please email Megan Ward at firstname.lastname@example.org
to reserve your seat
"If you put a gun onstage in Act I, it must go off by Act III."
-- Anton Chekhov
Karma's a bitch, as the hapless inhabitants of this knockabout comedy
are about to find out. In the course of an a La Ronde chain reaction,
an aspiring white rapper gains and loses a gun that continues to
change hands, scene by scene, on its way to fulfilling an
Steven Drukman's play IN THIS CORNER (about legendary boxer Joe
Louis) opened in January at
produced plays include GOING NATIVE (Long Wharf Theatre), FLATTERY
WILL GET YOU (Connecticut Rep), COLLATERAL DAMAGE (Illusion Theatre,
FINE MESS (Portland Center Stage), which was nominated for the
Pulitzer Prize. He has been developed and/or commissioned by the Mark
Taper Forum, the Intiman Theatre, South Coast Rep, New York Theatre
Workshop, Playwrights Horizons, Sundance Theatre Lab and the
Williamstown Theatre Festival. Awards: Paul Green Award, Alfred P.
Sloan Award, Heinemann finalist, others. He wrote for many years for
The New York Times, was an Associate Editor of American Theatre
Magazine, and he just released his book of the edited screenplays of
Craig Lucas. He teaches playwriting at NYU.
Now Hear This and Portland Center Stage gratefully acknowledge the
support of the Oregon Cultural Trust.
Tuesday, April 15, 2008
Portland Center Stage's
Sunday, April 13, 2008
Monday April 7th, Marjane Satrapi, author of "Persepolis" gave a talk as part of the Literary Arts & Lecture Series. As soon as I found out I was going I picked up a copy of her graphic novel (a title which she despises. She likes them to be called comics.) So I picked up a copy of her comic "Persepolis" so that I could know more about her life. I became fixated on how one choses to present themselves. Since the wikipedia entry is pretty slim I focused on comparing the picture at the back of the book to the self portrait she drew of herself. I had a hard time believing that they were the same woman. I couldn't find the beauty mark on the right side of her nose. I felt that this was an essential part of her face. She references to the day this mark came to live on her face in her book. The character I came to adore, was not this woman in the back of the book.
Regardless, as soon as Marjane Satrapi came on stage, I could finally see the woman in the comic. Satrapi is a wonderful speaker. She was really inspiring and is definitely not afraid to speak her mind. She is educated and ballsey. Two wonderful traits to have, especially in a woman. My mother, who was not interested in reading the comic before going to see Satrapi talk, was suddenly eager to get the book from me.
I am always amazed at how much the world knows about America, and how little the Americans know about their own country, let alone foreign nations. "Persepolis" introduced me to Iran. I know I would not have learned as much as I did if this book was not a personal story. I was attracted to the book because of who was telling the story rather than what it had to say. She truly is a remarkable women.
As the lecture came to an end the audience began asking her about her smoking habits and how she felt about the new law forbidding smoking in Paris, where she lives. She responded by saying that she didn't appreciate the government treating adults like children and telling other people what to do about their health. Then she simply added this quote from The Cure, "All great art was made by smokers." So you non-smokers should appreciate the work of smokers. And so forever more I will think of Marjane Satrapi as the woman pictured below.