Tuesday, March 18, 2008

That Time of the Month


Portland Center Stage’s

NOW HEAR THIS

invites you to a concert reading of

The Evildoers

A new play by David Adjmi

performed by

Ted deChatelet, Stephanie Gaslin, Val Landrum, Tom Moorman & Leif Norby

*

March 29, 2008

Noon to approximately 2 pm

@ Portland Center Stage

128 NW Eleventh Avenue (between Couch & Davis)

in the Studio Theater

Admission is free, but RSVPs are appreciated

Please call Megan Ward at (503) 445-3845 or e-mail meganw@pcs.org

to reserve your seat

-----------------------------

Described by one critic as "a culmination of the last four centuries of theater," The Evildoers runs the gamut of theatrical forms from Jacobean tragedy to drawing-room comedy. Not for the faint of heart, Adjmi's Carol and Jerry and Martin and Judy make Albee's George and Martha look like Sunday School teachers. Be forewarned: the only thing nastier than their tart tongues and their violent actions is their politics.

DAVID ADJMI’s plays include Strange Attractors, The Evildoers, Elective Affinities, Marie Antoinette and Caligula. David’s work has been developed and produced at the Sundance Theatre Lab, Manhattan Theatre Club, NYTW, Lincoln Center and Portland Center Stage’s JAW Festival, among others. He is the recipient of numerous awards and fellowships including a McKnight Fellowship, the Marian Seldes-Garson Kanin Award, a Jerome Fellowship, a Helen Merrill Award, an Ovid Grant for New Writing, a Lecomte du Nouy Award, a Cherry Lane Theatre Fellowship, as well as multiple fellowships from The MacDowell Colony and Ucross Foundation.


Tuesday, March 4, 2008

SOMETIMES A GREAT NOTION


Today was the first rehearsal for the World Premiere of "Sometimes A Great Notion" adapted & directed by Aaron Posner at Portland Center Stage. It was a truly inspiring first read through. This script came to us a couple of years ago and I first encountered it at our first workshop reading. I immediately fell in love with Kesey's characters and felt a sense of new found pride for Oregon. This is a great work of fiction and Posner has perfectly captured Kesey's world in this adaptation. I am pleased to have been a part of this process and am so glad that the work will have its premiere at our theater in its home state. This script reminded me today why I love love LOVE theater and I highly recommend coming to see the show. It opens April 4th on the Main Stage. Click Here to find out more.

Sunday, February 17, 2008

Addictions


Below are some addictions that I refuse to give up for Lent. Sadly I had to be reminded that Lent was even happening.

I am in love with Guitar Hero. Yes Yes it's true. Even my boyfriend has a hard time pulling me away. I get so into it I can't stop. I swear at the T.V. and of course blame them for my mistakes. I turn into a three year old child who hasn't learned to share and hates being forced to by others. Most mornings I wake up with a Guitar Hero song stuck in my head. If you have yet to get hip to this groove train I definitely suggest it. But be careful. You've been warned.

Project Runway. I may not have cable but I am able to follow the fierceness via the BravoTV website and talking to co-workers about what I missed. I'm so excited to find out who wins and judging along with the judges about which outfits are the best.

Buying trashy magazines. I'm sorry but if it says Britney and Crazy I'm buying. Nothing makes me feel better about my life then seeing the terrible decline of the princess of pop. And I feel bad for her. I bet if she had known this was going to happen she might not have signed up for the Mickey Mouse Club.

Oregon Humane Society Website. My apartment doesn't allow me to have pets. But I want a dog so bad, so I go to the Oregon Humane Society website and shop dogs that I can't have. It only makes me sad, but I love imaging that I could have one.

Sleeping. Can't get enough of this. Seriously it's almost frightening how much I love it. And as a result...Viso the Portland owned energy drink that is full of vitamins and other goodies. I can't make it through a day without my Viso Vigor. It's packed with 300mg of caffeine. Yes folks, that's approx. 3 cups of coffee. They should contact me to be there spokesperson. My desk at work is littered with them.

That Time of the Month

Portland Center Stage’s
NOW HEAR THIS

invites you to a concert reading of

All Hail Hurricane Gordo

a new play
by Carly Mensch

*
February 23, 2008
Noon to approximately 2 pm
@ Portland Center Stage
128 NW Eleventh Avenue (between Couch & Davis)
in the Rehearsal Room

Admission is free, but space is limited
Please email Megan Ward at meganw@pcs.org
to reserve your seat
-----------------------------

Two brothers’ tenuous hold on stability gets blown apart when they take in a plucky young houseguest with a secret. While India is running away from her relatively normal family, Chaz struggles to find normalcy in the one he already has. Is it possible to be your brother’s keeper and have your own life, too?


Carly Mensch is currently a fellow at The Juilliard School's Lila Acheson Wallace Playwrights Program and the playwright-in-residence at Ars Nova. All Hail Hurricane Gordo was developed at Ars Nova's Out Loud Series, the Kennedy Center's University Playwrights Festival and Marin Theatre Company. It will premiere at the Humana Festival this March. Other plays include Len, Asleep in Vinyl (Juilliard), The Delicate Business of Boy and Miss Girl (2006 New York International Fringe Festival) and Bradshaw (Lorring Dodd Drama Prize).

Our outstanding cast includes:
Mario Calcagno, Drew Danhorn, Michael O'Connell, and Ana Reiselman

Saturday, February 16, 2008

Oops! I Did It Again...


I am so sorry to you my devoted readers (KXS and Dr. Phun) that I have not written a blog posting in forEVER...omg I have been running around like a chicken with its head cut off. Work (which is also bleeding into my social life, but so it goes in theater) has been busy busy and of course I'm not one to slow down.

NOW HEAR THIS
I totally missed the opportunity to blog about MEASURE FOR PLEASURE by David Grimm, which took place last month on the main stage. The play fit in nicely with our current main stage shows: THE BEARD OF AVON by Amy Freed and TWELFTH NIGHT by William Shakespeare, because it was also a contemporary restoration piece and it was a huge hit. People laughed hard and loud. Even though it lasted longer than we anticipated people were loving it.

February 23rd we will be reading ALL HAIL HURRICANE GORDO by Carly Mensch. It will premiering at the Humana Festival March 13-30th. I'm really excited to read this play because I think it will be a change of pace from our other readings. It is a beautifully intimate piece. Carly is someone who I have just discovered and I look forward to finding out more.

HOLY OPENINGS BATMAN!!
We had three opening nights right on top of each other...THE BEARD OF AVON by Amy Freed, directed by Chris Coleman and then the following weekend we had TWELFTH NIGHT by William Shakespeare, directed by Jane Jones. Both had wonderful openings and are very popular. I would recommend however, seeing BEARD before TWELFTH NIGHT because I think when you see BEARD first it illuminates things you might not have paid attention to before in TWELFTH NIGHT...but this might just be me. Both are strong solid productions.

Then we had our FADE TO BLACK night, geared at getting younger audiences to the theater, the Tuesday after opening for TWELFTH NIGHT. It was amazing because we played Guitar Hero all night. I'm pretty much obsessed with the game. It's a sick sick addiction and I love it.

A few weeks later we had A FEMININE ENDING opening. This production was a part of co-production with South Coast Rep. I am proud that the production is returning home. As you may or may not know, A FEMININE ENDING by Sarah Treem was part of JAW 2006. It certainly captured the hearts of the audience then and it continues to do so now. I highly recommend seeing this show. And check out more of Sarah's writing on HBO's new night series IN TREATMENT. She writes the script for the character Sophie.

COMMUNITY ARTISTS LABS
Sarah Treem and Amy Freed both came to PCS. During their time here they were able to host playwriting workshops. I attended both of them and even though I am not a playwright. They were very inspiring and both had different things to say. Sarah's workshop was about finding inspiration and your voice as a playwright. Amy's was more about how to "unstuck" or "unblock" yourself when you get blocked. My respect for playwrights grew immensely after attending these workshops.

MEANWHILE ON PLANET MEGAN...
I spend my weekends reading JAW scripts, scripts for the reading series, catching up on sleep, seeing shows and grocery shopping for the week. It's pretty pathetic but it's also so me and what I enjoy. Don't worry about me though, because I get my movie and guitar hero time in and keep up on my project runway and Britney gossip. I hope my friends forgive me for the lack of time I spend with them...I do worry about my room...does anyone want to come and clean if for me?

thanks kxs!

Thursday, January 3, 2008

Snakes and Monkeys Oh my!


The following is a story written by my father about his experience on set in Morocco.

"On December 9, 2007 my fellow co-actor Bob McKeehen, (cast as General Godweiler) & I arrived after 16 long hours in the air from Portland, Oregon to Marrakech arriving at 12 noon their time & 4 am Portland time. To say the least I was exhausted. Instead of going to the Ryad Omar (hotel) & sleeping we decided to tour the Medina (the main shopping & site seeing plaza) where I tried to take a picture of some cobras when the snake handler said, "I will take picture ...FREE NO Money". Ok I said, and after five pictures of me holding snakes I asked for my camera back, as he returned the camera I heard his broken English chant of "pay me, pay me". So much for free.

Feeling threatened, now surrounded by three more of his associates all poking, and getting too close for comfort, I reached into my pocket & took out the newly exchanged $300 American dollars to local currency (2100 dirhams) a $7 to 1 dirham ratio, (a value that escaped me at this time due to exhaustion, and the desire to rid myself of these aggressive snake handlers), all in 200 dirham denominations. As I peeled off my 1st 200 dirham note and gave it to the snake charmer (not realizing it represents $30) I heard the phrase "more" & then another 200, then "more," another 200, on and on till I peeled off 1000 dirham or $150.

Walking away dazed, confused, and truly hustled, I turned around and the monkey handlers now waiting their turn, grabbing my camera as they placed two smelly, large hairy beasts on each shoulder, proceeded to take two pictures before I could retrieve my camera and stop the madness. Another 400 dirham later and I am into the whole experience for $210, or 1400 dirham.

To say the least I took grief all week long during the filming, from not only the cast and crew, but now the hotel staff joined in and would smile and point at me as I came and went.

Fast forward to the following Friday, as the crew and actors are filming on location four hours outside of Marrakech, I decide I've had enough and take a walk back to the Medina looking for snakes.
I spot a police car close to the plaza and decide to tell my story to the local police, hoping they don't arrest me for stupidity. Between my limited french and their limited english, one of the three officers leads me into the center of the plaza pointing at any and all snake charmers we encounter saying, "this one", this one" asking me to identify the snake hustler, who I'm sure at this time had retired with my money to the nearest beach community. Now every merchant, snake, and monkey handler, are looking at me as I walk back to the police car. After more discussion the police officer asks me to retrieve my camera with the pictures of the incident from my hotel and return to him with the evidence, in five mega pixels of digital photos.

As I head back from the hotel, camera in tow, I am approached by four men dressed in robes with hoods, but thank God or Allah, no snakes, instead they are here to solve my problem. The youngest of the four says, "Mister... please no police we will take care of this ourselves". Speaking flawless English the young man, Karman, (twenty-ish) asks to see the pictures, apologizes for my encounter, and explains that the elders will give me back my money if I don't involve the police. Upon review of the pictures he tells me they know of this snake handler, and one of the elders peels off 1000 dirham and places it in my hand. Also Karman tells me that they will return my 400 dirham from the monkey fiasco later in the day. A man of his word later that afternoon as I walked through the plaza with gifts for the family with my new found money, Karman approaches me with the three elders at his side and gives me the 400 dirham from the monkey people as he had promised earlier. My faith in mankind restored, faith in the good people of Marrakech to do the right thing prevailed.

The moral of this story is when visiting other countries sleep first, then take in the sites.

Terry Ward
(cast as U.S. Ambassador to Afghanistan)

Thursday, December 20, 2007

Megan's Bourgeois Popsicle Stand



Portland Center Stage’s
Now Hear This
invites you to a concert reading of
Maria/Stuart
A play by Jason Grote
*
December 29, 2007
Noon to approximately 2 pm
@ Portland Center Stage
128 NW Eleventh Avenue (between Couch & Davis)
Admission is free, but space is very limited, so RSVP
Please call Megan Ward at (503) 445-3845 or e-mail meganw@pcs.org
to reserve your seat
-----------------------------
If you came to JAW last year, you’ll remember Jason Grote as the provocateur who brought us Box Americana. Jason writes smart, funny and imaginative dialogue that creates a world in which these vivid characters can play. His other plays include 1001, This Storm Is What We Call Progress, and Hamilton Township.
Maria/Stuart is a wild ride with a fabulously dysfunctional family. All families have secrets, but this one includes an inherited shapeshifting spook who faxes in unpleasant truths and has an unslakable thirst for soda. Grote uses Friedrich Schiller’s Maria Stuart as his inspiration, but the play is hardly an adaptation; it jumps off the deep end immediately to veer into terra incognita. Trust me, it’s a comedy!
Our outstanding cast includes:
JoAnn Johnson, Sharonlee McLean, Sarah Lucht, Karla Mason
Julie Jeske Murray, Chris Murray
Stage Directions read by Stefan Kay