Thursday, January 3, 2008

Snakes and Monkeys Oh my!


The following is a story written by my father about his experience on set in Morocco.

"On December 9, 2007 my fellow co-actor Bob McKeehen, (cast as General Godweiler) & I arrived after 16 long hours in the air from Portland, Oregon to Marrakech arriving at 12 noon their time & 4 am Portland time. To say the least I was exhausted. Instead of going to the Ryad Omar (hotel) & sleeping we decided to tour the Medina (the main shopping & site seeing plaza) where I tried to take a picture of some cobras when the snake handler said, "I will take picture ...FREE NO Money". Ok I said, and after five pictures of me holding snakes I asked for my camera back, as he returned the camera I heard his broken English chant of "pay me, pay me". So much for free.

Feeling threatened, now surrounded by three more of his associates all poking, and getting too close for comfort, I reached into my pocket & took out the newly exchanged $300 American dollars to local currency (2100 dirhams) a $7 to 1 dirham ratio, (a value that escaped me at this time due to exhaustion, and the desire to rid myself of these aggressive snake handlers), all in 200 dirham denominations. As I peeled off my 1st 200 dirham note and gave it to the snake charmer (not realizing it represents $30) I heard the phrase "more" & then another 200, then "more," another 200, on and on till I peeled off 1000 dirham or $150.

Walking away dazed, confused, and truly hustled, I turned around and the monkey handlers now waiting their turn, grabbing my camera as they placed two smelly, large hairy beasts on each shoulder, proceeded to take two pictures before I could retrieve my camera and stop the madness. Another 400 dirham later and I am into the whole experience for $210, or 1400 dirham.

To say the least I took grief all week long during the filming, from not only the cast and crew, but now the hotel staff joined in and would smile and point at me as I came and went.

Fast forward to the following Friday, as the crew and actors are filming on location four hours outside of Marrakech, I decide I've had enough and take a walk back to the Medina looking for snakes.
I spot a police car close to the plaza and decide to tell my story to the local police, hoping they don't arrest me for stupidity. Between my limited french and their limited english, one of the three officers leads me into the center of the plaza pointing at any and all snake charmers we encounter saying, "this one", this one" asking me to identify the snake hustler, who I'm sure at this time had retired with my money to the nearest beach community. Now every merchant, snake, and monkey handler, are looking at me as I walk back to the police car. After more discussion the police officer asks me to retrieve my camera with the pictures of the incident from my hotel and return to him with the evidence, in five mega pixels of digital photos.

As I head back from the hotel, camera in tow, I am approached by four men dressed in robes with hoods, but thank God or Allah, no snakes, instead they are here to solve my problem. The youngest of the four says, "Mister... please no police we will take care of this ourselves". Speaking flawless English the young man, Karman, (twenty-ish) asks to see the pictures, apologizes for my encounter, and explains that the elders will give me back my money if I don't involve the police. Upon review of the pictures he tells me they know of this snake handler, and one of the elders peels off 1000 dirham and places it in my hand. Also Karman tells me that they will return my 400 dirham from the monkey fiasco later in the day. A man of his word later that afternoon as I walked through the plaza with gifts for the family with my new found money, Karman approaches me with the three elders at his side and gives me the 400 dirham from the monkey people as he had promised earlier. My faith in mankind restored, faith in the good people of Marrakech to do the right thing prevailed.

The moral of this story is when visiting other countries sleep first, then take in the sites.

Terry Ward
(cast as U.S. Ambassador to Afghanistan)

Thursday, December 20, 2007

Megan's Bourgeois Popsicle Stand



Portland Center Stage’s
Now Hear This
invites you to a concert reading of
Maria/Stuart
A play by Jason Grote
*
December 29, 2007
Noon to approximately 2 pm
@ Portland Center Stage
128 NW Eleventh Avenue (between Couch & Davis)
Admission is free, but space is very limited, so RSVP
Please call Megan Ward at (503) 445-3845 or e-mail meganw@pcs.org
to reserve your seat
-----------------------------
If you came to JAW last year, you’ll remember Jason Grote as the provocateur who brought us Box Americana. Jason writes smart, funny and imaginative dialogue that creates a world in which these vivid characters can play. His other plays include 1001, This Storm Is What We Call Progress, and Hamilton Township.
Maria/Stuart is a wild ride with a fabulously dysfunctional family. All families have secrets, but this one includes an inherited shapeshifting spook who faxes in unpleasant truths and has an unslakable thirst for soda. Grote uses Friedrich Schiller’s Maria Stuart as his inspiration, but the play is hardly an adaptation; it jumps off the deep end immediately to veer into terra incognita. Trust me, it’s a comedy!
Our outstanding cast includes:
JoAnn Johnson, Sharonlee McLean, Sarah Lucht, Karla Mason
Julie Jeske Murray, Chris Murray
Stage Directions read by Stefan Kay

Wednesday, November 28, 2007

The Writers Strike

So I'm sure you are following the writers strike or know something about it, but in case you are somehow missing this important event in history, here are some videos that I think you really really need to see. Writers are so important and their job is harder than it looks. I truly respect the work they do and believe they should receive appropriate compensation. (And if I was a better writer this would be more interesting to read)
Ok now watch the videos and then visit the official blog of the site and read more...


NOT the Daily Show strikes (And see if you notice Rachel Axler who is a writer for The Daily Show and was one of our Commission! Commission! writers last year. She's awesome.)


The Colbert Report responds



The Anthem of the Strike



Bringing it Home



Same Old Story


And now seriously go to their website or click here to find out more about why and how to should send pencils to the media moguls and watch this last (I swear!) video...

Friday, November 23, 2007

Domesticity sets in


For those of you that know me, know that I can't cook or bake. Being in a kitchen too long stresses me out and if I can't make a meal in 30mins or less I rather go out. However, something has been happening lately. I'm making an effort in the kitchen. I started looking up recipes on Williams-Sonoma and then my boyfriend sent me a link to a blog that teaches you how to make bread from scratch. Now I am crazy in the kitchen.
Making bread from scratch really is easier than you think, but it does take a long time. But seriously check out my skills...and if I can do this, than so can you!

Tuesday, November 13, 2007

It's All about ME!


Yes. Yes it is. And if you are not hip to that than me and my fabulous bag are going to knock you over. OMG...look at my FABULOUS bag. You could have one like this (only not as fabulous because it's not me...) if you get Gwenn Seemel to make you one. Go to her website (www.gwennseemel.com) and buy one. NOW. Because it doesn't get more designer than this...

NOW HEAR THIS



This Saturday (November 17th) at 12 noon I will be producing my very first reading in our brand new reading series: NOW HEAR THIS at Portland Center Stage. This is something we have been looking forward to because it is allows us to try out scripts that we might be interested in for upcoming seasons and to get some audience feedback. Also it just feels good to share all the wonderful scripts we read with the community. So many benefits so little time!!

If you are in the pearl on Saturday, (please consider this a personal invitation as a subscriber of my blog) come check out BINGO WITH THE INDIANS by Adam Rapp. He is an amazing playwright and I think more people in Portland need to be familiar with his wonderful work. He is currently directing this script in New York at the Flea Theater. If you are in NY you should go check it out, but come see the reading first!

More info below:

NOW HEAR THIS

Portland Center Stage's monthly reading series
invites you to a concert reading of

BINGO WITH THE INDIANS

A play by Adam Rapp

*

November 17, 2007
Noon to approximately 2 pm

@ Portland Center Stage
128 NW Eleventh Avenue (between Couch & Davis)

Admission is free, but space is very limited, so reservations are vital -- please call Megan Ward at (503) 445-3845 or e-mail meganw@pcs.org to reserve your seat.

-----------------------------

Bingo with the Indians is about Wilson, Dee and Stash, a trio of desperate downtown theater geeks who travel to an upstate rural community with the aim of knocking over a bingo parlor. In this way they plan to fund their next black box show, but the cooler-than-thou thespians don’t reckon on the local yokels: terminally teen-aged Steve, his raving sapphist girlfriend, and his checked-out mom.

This play is a rarity among Rapp’s scripts in that it is an out-and-out comedy, but it has all the razor-sharp insight of the bleaker plays for which he is better known, such as Red Light Winter, Blackbird and Nocturne.

Our outstanding cast includes:
CHRIS MURRAY, PAUL GLAZIER, BEN BUCKLEY, AMANDA JENSEN, AMY NEWMAN & SARAH LUCHT

PLEASE READ THIS: Bingo with the Indians refers to sexual
situations some may consider unsavory, and it contains language that will make your hair stand on end. Do not bring the kids.

Child Wrangling


Yes. This is a real term. All LORT theaters are required to have a "young actor monitor" or a "child wrangler" present whenever children are in a show. I was the child wrangler for PILLOWMAN, FENCES and in JAW last year. Each time it was for one or two children, but now for CHRISTMAS CAROL there are five kids. All the kids are wonderful and professional, but there are still more of them than there is of me.
My responsibilities include but are not limited to: helping with homework, taking them to get lunch, meeting them when they arrive at the theater and staying with them until their parents pick them up, taking notes, playing hide and go seek, making everyone happy, getting them to their costume fittings, and most importantly making sure they know what they are being asked to by the director.
Because I am also the Artistic/Literary Assistant, taking on child wrangling means working seven days a week and when the show goes into tech and performance my days get long, long, long. So another woman will be taking over for me starting this week. Although, this should make me happy, I am sad that I will not be seeing the kids everyday. I know so much about them and really care about them. It can be really tiring running after five children, but it is always a joy to see them and hang out with them. They make me laugh. I will miss them, but I'm sure I'll see them around real soon.