Tuesday, June 17, 2008

NOW HEAR THIS SEASON FINALE


Portland Center Stage’s

NOW HEAR THIS

invites you to a concert reading of

Why Love Doesn’t Recognize Its Name

a new play by Lisa Leaverton

*

Saturday, June 28, 2008

Noon to approximately 1:30 pm

@ Portland Center Stage

128 NW Eleventh Avenue (between Couch & Davis)

in the Rehearsal Room

*

Our outstanding cast includes:

Lava Alapai, Mario Calcagno, Drew Danhorn,

Heather Nelson Robertson, Cecily Overman & Amy Palomino

*

Admission is free, but space is limited

Email Megan Ward at meganw@pcs.org

to reserve your seat

-----------------------------

At a loss for words? Then come down to Lee’s Expressive! He’s the best! Lee and his team of mechanics help clients whose speech patterns are clogged with words that are too ornate, or have the wrong shade of meaning, or just plain don’t communicate. But only Deep Mystery (that’s you, our audience) can unlock the most problematic phrases.

Please join us for our final reading of the season, which promises to be unlike any other reading we’ve had this year: it’s semi-staged; the audience can affect the play’s plot; AND the playwright herself will be here, all the way from Brooklyn, to celebrate the first fun season of

NOW HEAR THIS.

Lisa Leaverton, Playwright (Brooklyn, NY) runs a collective (inquire within) with Director John Kaufmann, devoted to audience dependent, ephemeral theatre. Her One Act, “PERHAPS,” (2008) was read in Outward Bound Series, at CSPS, Cedar Rapids. WHY LOVE DOESN’T RECOGNIZE ITS NAME, for which she received a Richard Maibaum Scholarship was featured at Iowa New Play Festival, 2008. Theatre of The Body (2001), a series of lecture demonstrations created in collaboration with choreographer Katharine Livingston has been performed numerous times since it sold out at Philadelphia Fringe. A Blue We All Know (2008), will be featured in a Gallery production at University of Iowa, Oct. 2008. Other plays include Who Are These They, (2007) read in Primary Stages Playwrights Workshop, The LONG Night, (2008), and The Countess of Misery (2005), full-length play in verse. Since graduating from Peabody Music Conservatory, Lisa has costumed Theatre and Dance companies, including Headlong Dance and Pig Iron Theatre Co. Lisa participated in Goat Island Performance workshops, and KCCTF, 2007. Recipient of a Felton award, Lisa is completing her MFA in playwriting at University of Iowa.

1 comment:

Mead said...

Oh sure, put CECILY's name in a megasized font!!!

cecilycecilycecily!!!

Actually I don't know why it looks that way, at least on my computer, but I don't mind indulging in an oversized font myself to indicate that I am VERY EXCITED that the playwright herself will be at this final reading AND that she did some rewriting just for this occasion.

Megan, THANK YOU for a fab first year with NOW HEAR THIS. It has been a wild thing of love. And thus this script is the perfect one to end on! Cheers,

the mead